tonality (Also tonalities) : Related Words Words similar in meaning to tonality

  • key«
  • tonality«
  • tonic key«
  • minor mode«
  • major mode«
  • minor key«
  • major key«
  • home key«
  • timbre«
  • tonic«
  • tone«
  • pure tone«
  • quality«
  • timber«
  • tonal«
  • harmonic«
  • diatonic«
  • sonority«
  • music«
  • toned«
  • resonance«
  • tonalité moderne«
  • keyed«
  • nasality«
  • fétis«
  • polytonal«
  • stridency«
  • system«
  • referential tonic«
  • sound«
  • musical phenomenon«
  • polytonality«
  • scale«
  • tonalité«
  • relation«
  • harmonic tonality«
  • shrillness«
  • musical note«
  • tone center«
  • coloration«
  • pitch«
  • tonal harmony«
  • vibrancy«
  • painting«
  • hugo riemann«
  • colouration«
  • modulate«
  • melodic tonality«
  • minor«
  • dominant seventh chord«
  • colour«
  • major«
  • practice tonality«
  • color«
  • modern tonality«
  • ringing«
  • interrelation«
  • tonal type«
  • note«
  • composition«
  • tonart«
  • stridence«
  • atonality«
  • functional tonality«
  • sonorousness«
  • reverberance«
  • term«
  • polytonalism«
  • choron«
  • plangency«
  • sense«
  • register«
  • serialism«
  • chord«
  • first harmonic«
  • tonic chord«
  • melodic phrase«
  • tonal music«
  • melodic line«
  • c major«
  • syncopation«
  • unison a«
  • triadic harmonic formation«
  • polyphony«
  • traditional diatonic music«
  • intonation«
  • theorist george perle«
  • term tonalité«
  • inflection«
  • simple folk music song«
  • melody«
  • pre-17th century western music«
  • subdominant«
  • pre compositional«
  • musical notation«
  • pitch phenomenon«
  • prosody«
  • theoretical arrangement«
  • twang«
  • tone complex«
  • nasal twang«
  • accord parfait«
  • polyphonic music«
  • consonance«
  • overtone«
  • piece«
  • monody«
  • melodic gesture«
  • musical harmony«
  • harmonic idiom«
  • harmony«
  • concrete embodiment«
  • monophonic music«
  • progression«
  • musical genre«
  • referential element«
  • music genre«
  • hierarchy«
  • genre«
  • triadic chord«
  • mediant«
  • traité complet«
  • musical composition«
  • tonal melody«
  • cadential formula«
  • instrumental music«
  • western music«
  • trill«
  • pitch material«
  • nasal«
  • formal category«
  • triadic structure«
  • passing tone«
  • classical western music«
  • partial tone«
  • pitch structure«
  • leading tone«
  • arabic maqam«
  • head tone«
  • tonal theory«
  • chest tone«
  • carl dahlhaus«
  • instrumentalist«
  • vocal music«
  • sixth chord«
  • vocal«
  • overtone series«
  • monotone«
  • musical style«
  • minor triad«
  • musical«
  • pitch contour«
  • major triad«
  • pizzicato«
  • harmonic progression«
  • prelude«
  • joseph fétis«
  • modulation«
  • centeredness«
  • piano music«
  • plainchant«
  • dominant«
  • musical organization«
  • quaver«
  • scale degree«
  • serial music«
  • minor chord«
  • piece of music«
  • power chord«
  • part music«
  • helmholtz«
  • dance music«
  • european music«
  • concerted music«
  • philippe rameau«
  • pedal point«
  • riemann«
  • pedal«
  • schoenberg«
  • overture«
  • stability«
  • supertonic«
  • listener«
  • submediant«
  • dissonance«
  • fundamental frequency«
  • assumption«
  • fundamental«
  • semiquaver«
  • modern music«
  • cadence«
  • partial«
  • concept«
  • strain«
  • g major«
  • tune«
  • ballet«
  • triad«
  • opus«
  • usual diatonic concept«
  • musician«
  • ueber tonalität«
  • head voice«
  • type 6–20«
  • chest voice«
  • transitonic«
  • appoggiatura«
  • tonverwandtschaften«
  • refrain«
  • tonic—a constellation«
  • chorus«
  • tonic/dominant/subdominant harmonic harmonic constellation«
  • crotchet«
  • tonic scale degree«
  • echo«
  • tonartentyp«
  • ring«
  • tonarten-«
  • minim«
  • tonalités«
  • heavy«
  • tonalité ancienne fetis«
  • whole note«
  • tonalität«
  • thirty-second note«
  • tonality—but harmony«
  • sixty-fourth note«
  • tonal theories«
  • sixteenth note«
  • tonal musics«
  • quarter note«
  • term tonalität«
  • passing note«
  • term tonality«
  • half note«
  • term centricity«
  • grace note«
  • systematic organization«
  • eighth note«
  • subtle representative«
  • blue note«
  • subterranean folk musical tradition«
  • chest register«
  • sommaire de«
  • line«
  • siècle compositional practice«
  • shake«
  • single historical lineage«
  • subtonic«
  • single functional domain«
  • semibreve«
  • single constructive principle«
  • popularism«
  • singe vocal«
  • monophony«
  • semitone motion«
  • middle C«
  • seminal new grove article«
  • hemidemisemiquaver«
  • renaissance tonality«
  • demisemiquaver«
  • renaissance sacred«
  • antiphony«
  • acciaccatura«
  • quality triad«
  • probable harmonic progression«
  • prediscursive musical essence«
  • precompositional system«
  • practice classical music«
  • power chord technique«
  • pop song context«
  • philip rupprecht«
  • pelog pitch collection«
  • parts—a bass line«
  • paraliturgical polyphony«
  • over)simplification«
  • player«
  • organic motivic process«
  • sharp«
  • ordre unitonique«
  • subdivision«
  • ordre transitonique«
  • section«
  • ordre pluritonique«
  • air«
  • ordre omnitonique«
  • note/tonic relationship«
  • head register«
  • nontonal triadic relation«
  • keynote«
  • neapolitan school—most«
  • musical sublimation«
  • much jazz«
  • modern concept«
  • modal procedure«
  • modal nucleus«
  • modal genus«
  • minor v–i–vii–iii«
  • minor iii–vii–i–v«
  • mere acoustical frequency«
  • melodic orientation«
  • major–minor tonality«
  • major–minor parallelism«
  • major i–v–vi–iii«
  • major iii–vi–v–i«
  • lyzhov«
  • late romantic motivic practice«
  • i–iv–i–v–i«
  • i–ii–v–i«
  • italian musicologist marco mangani«
  • innermost sense«
  • inevitable culmination«
  • ideological employment«
  • historical aufhebung«
  • german harmonische tonalität«
  • french polyphonic chanson«
  • fifth progression i–iv–vii°–iii–vi–ii–v–i«
  • felix wörner«
  • estonian composer jaan soonvald«
  • divergent fin«
  • daniele sabaino«
  • complete cadence«
  • classical functional tonality«
  • chromatic chord relation«
  • chordal extension«
  • characteristic schema«
  • c major cadence«
  • bw.musique«
  • aufgehobene tonalität«
  • atonal systems«
  • alexandre-étienne«
  • actual musical context«
  • definition«
  • unprepared seventh chord«
  • tonalité ancienne«
  • schwebende tonalität«
  • romantic tonality«
  • musicological discourse«
  • late monteverdi«
  • i–iv–v–i«
  • indonesian slendro«
  • his prophetic vision«
  • hexatonic cycle«
  • genuine folk music«
  • g dominant seventh chord«
  • f minor triad«
  • diverse provenance«
  • dissonant tritone interval«
  • cruda amarilli«
  • common practice classical music«
  • chord succession«
  • acoustical principle«
  • theorist«
  • root«
  • arrangement«
  • rock music«
  • ullrich scheideler«
  • stable chord«
  • solomonsmusic.net«
  • rock lie«
  • rhythmic inflection«
  • q transform«
  • psychophysical sense«
  • peter lefferts«
  • mark mccune«
  • log frequency scale«
  • indian raga system«
  • cristle collins judd«
  • constituent tone«
  • classical tonality«
  • chromagram«
  • century tonality«
  • ambiguous chord«
  • alexandre choron«
  • adjective«
  • tonic progression«
  • rudolph réti«
  • prototype vector«
  • modes’«
  • linear procedure«
  • diatonic relationship«
  • audio data format«
  • principle«
  • wagner«
  • penultimate goal«
  • other perspectives«
  • octave e«
  • diatonic tonality«
  • contrast«
  • françois«
  • western traditional music«
  • neotonality«
  • kholopov«
  • harmonic phenomenon«
  • dialectical synthesis«
  • ancient greek mode«
  • composer«
  • pure system«
  • common practice music«
  • acoustical phenomenon«
  • mozart«
  • ‘ system«
  • tonal piece«
  • free invention«
  • compositional formula«
  • tritone relationship«
  • pitch system«
  • natural overtone«
  • intelligible sense«
  • dominant axis«
  • common practice tonality«
  • class profile«
  • tonal function«
  • pitch g«
  • harmonic organization«
  • pitch content«
  • minor harmony«
  • late renaissance music«
  • basic transformation«
  • remarkable innovation«
  • practice period«
  • harold power«
  • dominant triad«
  • complete relaxation«
  • subsequent procedure«
  • optional choice«
  • minor 3rd«
  • compressed representation«
  • harmonic practice«
  • reduced emphasis«
  • method«
  • tonal relationship«
  • synonym«
  • western plainchant«
  • his example«
  • deceptive cadence«
  • sequentiality«
  • interval«
  • riemannian theory«
  • g7 chord«
  • chromatic line«
  • tonal ambiguity«
  • peter westergaard«
  • musical signal«
  • individual pitch«
  • indian raga«
  • basic note«
  • distinct sens«
  • slendro«
  • seventh scale degree«
  • musical resource«
  • modal music«
  • josquin desprez«
  • theoretic concept«
  • musical modernism«
  • jim samson«
  • modern western music«
  • acoustic phenomenon«
  • note b«
  • closing bar«
  • broader usage«
  • indonesian gamelan«
  • dominant function«
  • celtic song«
  • basic scale«
  • castil«
  • psychological construct«
  • functional harmony«
  • chord tone«
  • relationship«
  • minor tonality«
  • music information retrieval«
  • platonic form«
  • tonic note«
  • musical reality«
  • tonal characteristic«
  • polyphonic composition«
  • musical unit«
  • harmonic motion«
  • class set«
  • sixth degree«
  • church mode«
  • schenkerian analysis«
  • classical type«
  • property«
  • francesco durante«
  • insatiable desire«
  • common practice period«
  • theoretical structure«
  • musical system«
  • separate tradition«
  • dissonant chord«
  • yasser«
  • effect«
  • seventh degree«
  • tone music«
  • systematic arrangement«
  • mode«
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